Shrine-shaped painted wooden shabti box with 3 compartments for shabtis. The box is decorated on all four sides. The front of the box is decorated with a scene of Osiris seated before an offering table. Isis stands behind him.
Painted wood. Two corresponding side pieces from lower portion of coffin lid with identicaql paintings facing each other. Scene: above: Horuphty / below: beetle flanked by signs
Painted wooden coffin of Djed-Hapi (earlier read as Sakhpimau). The coffin has an idealized head of the deceased wearing a long black wig and a false beard. The coffin is decorated with a wide collar with 9 horizontal bands of floral and beaded imagery with falcon-headed terminals. Below the collar is a scene of a mummy on a lion-headed bier with mourning goddesses (Isis and Nephthys) on either side. Below this is a funerary text of five columns invoking the god Anubis. The names of his parents are also given. his father was called Petosiris and his mother's name was Sermuthepet.
This anthropoid mummy case is made of cartonnage, a material consisting of several layers of linen or papyrus pasted together and covered by a thin layer of plaster and painted. The case originally contained the mummy of a man named Nebnetcheru, who was a priest with the title of God’s Father of Amun at Karnak Temple. Traces of gold on the face indicate that the deceased has been represented as a divine being with gold skin.The entire coffin lid is covered with solar, funerary, and protective imagery. The gods Horus, Anubis, Osiris, Thoth, Isis, Nephthys, and Hathor in the form of a cow, among others, appear. In the area of the legs, there is a vertical column of text containing a request for offerings. The deceased’s name and title also appear in this location. Some of the scenes are vignettes illustrating chapters of the Book of the Dead, a funerary text that often was included with grave goods. The main scene, on the chest, shows the deceased in a white linen garment being presented to Osiris, king of the underworld, by Horus and Thoth. Behind Osiris stand his sisters, Isis and Nephthys, and an underworld deity. Several protective amulets are represented in the lowermost register.When acquired by the Museum in 1924, the case was intact and closed. It was opened in 1933 to remove the mummy (E14344A). The bottom is now separate (E14344B).
Painted wooden sculpture of Horus falcon. Much of paint worn off (wings painted in blue, red and orange stripes, body in red). Circular hole in top of head; small square cutting in bottom of flat base.Painted
Round top wooded stela. Cloth covered and stuccoed. Scene brightly colored. The decoration at the top consists of the deceased together with deities. From left are the four sons of Horus (Qebehsenuef, Duamutef, Hapy and Imsety), then Nephthys and Isis stand behind Osiris who greets the deceased, a man named Djeddjehutyiuefankh. The goddess of the West stands behind him on the far right of the stela. Below this are several lines of an offering prayer: A gift which the king gives to Osiris, Foremost of the Westerner, the Great god, Lord of Abydos and R-Horakhty, the great god and chief of the gods, that they may give invocation offerings of cattle and fowl, every offering and every good thing, a thousand of incense, a thousand of garments, everything good and pure, everything sweet and pleasant on which the god lives for the Osiris the Prophet of Horus, the lord of heaven and the Lord of Busiris (?) and Khonsu of Edfu, seer of the eternal Horizon, Djeddjehutyiuefankh, son of the similarly-titled, Pasetchenfy.
Round topped wooden stela belonging to the chantress of Amun, Tasheryt. She stands on the right side of the stela wearing a long, sheer dress and has her hands raised in adoration to Re-Horakhty who is seated on the left. Re-Horakhty has a large solar disk on his head and he holds the crook and flail. Before him is a table piled with Offerings. Six vertical columns of text above identify the god and the woman. In the lunette are a pair of wedjat eyes and the shen-symbol.
Painted wooden model of a squatting male figure. Both arms are extended in front of the figure, with the left arm higher than the right. The figure's left hand is open, while his right is made into a fist, so that he could hold a portion of the original rigging. Kilt is painted white, skin is red, and the hair is black.
Painted wooden model of a squatting male figure. His hands are in front of his body, and hold the remains of string, possibly part of the original sail rigging. Kilt is painted white, skin is red, and hair is black.
Wooden model of a boat, depicted going upstream. The hull is painted buff-orange, with red lines on the deck representing beams. Peg holes in the deck, most of which have painted human feet facing the bow. Five male figures stand or squat on the deck, along with an awning painted to resemble a cow skin. Rudder pole and rudder at the stern.